The work of David Maisel is haunting in its stark simplicity, despite and because of its expansive breadth of focus. Yet while many of his projects have taken a bird's-eye view of their subject matter, few have seemed as hopelessly desolate as Oblivion. Los Angeles is stripped to its bare bones and burnt to cinder under Maisel's photographic eye – a megalopolis suddenly seen in post-apocalyptic monochrome.
Continue reading...
Wednesday, July 1, 2009
1 Comment